Wednesday, 25 March 2015

REVIEW: Doctor Who: 'The Crusade' by David Whitaker

Image result for doctor who the crusade
I'm quite astonished at how good this story is. Let's face it; season two doesn't exactly grip you, does it? Planet of Giants is entertaining but hugely flawed, The Dalek Invasion of Earth is dull and cliched, The Rescue is a good but slight character piece, The Romans is a comedy romp, The Web Planet is an ambitious but odd tale that strays a bit too far, The Space Museum is completely flat, The Chase is so bad it's brilliant, and The Time Meddler is a pleasant runaround. So season two is missing a substantial tale. The Crusade is it.

All aspects of production are first class. Dudley Simpson's music is cultured and calm, Douglas Camfield's direction is controlled and dramatic, all of the guest performances are polished. But the best thing is David Whitaker's incredible script. It is pure poetry, powerful and precise yet also sparkling with wit and intrigue. 

Image result for doctor who the crusadeThe TARDIS crew in this story are all excellently portrayed: The Doctor is at his best here, delighting in stealing the clothes from Ben Daheer's stall, winding up the Chamberlain, advising Richard and doing his best to stay out of trouble, but not succeeding. Ian gets a smaller role than usual, but gets to show his heroic side after King Richard knights him, and overcoming all obstacles to rescue Barbara. Barbara gets the largest role, dragged through hell and back as the evil El Akir kidnaps her. Unfortunately, Vicki is again sidelined but has fun as the Doctor's ward. 

The guest cast are extraordinary. Julian Glover gives an incredible performance as Richard, and paints a picture of a complex man that often lets his heart rule his head as he struggles to find peace. On the other side is the fascinating Saladin. Soft-spoken but with a subtle hint of menace, he is by no means the villain of the piece. Bernard Kay plays him as cultured and calm, and his affection for Barbara marks him out as a noble man who believes his actions are right, just like Richard. He is markedly different from his blustering brother, Saphadin. Jean Marsh also does a good job as Joanna, a compassionate woman placed into a difficult situation.

The real villain here is Saladin's Emir, El Akir. He's prepared to throw away his position in Saladin's court because Barbara has embarrassed him, and he seeks revenge. He is cruel and callous, incredibly inadequate and he makes it his aim to find Barbara to get payback for a minor incident. How pathetic. When his end does come, it is justified.

There are some wonderful touches of high drama, such as when Haroun explains his family's plight to Barbara, and he tells her to kill his daughter and herself if they are found. The third episode, in particular, sees the most dramatic events, involving a ferocious argument between The Doctor and the Earl of Leicester, played to perfection by William Hartnell and John Bay. The scene between Richard and Joanna also crackles with intensity. But mixed in with this are the wonderful comedy touches, usually involving the Doctor and Vicki at court. Vicki's disguise causes the courtiers some confusion, as does the delightful predicament involving Ben Daheer and the Doctor.

The Crusade is wonderful, an example of how highly the series can reach when it puts its mind to it, and a shining example of the historicals at their best.

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